AUTHOR’S TEXTS AND AUDIO.

An important area of focus and interest relates to creating author’s texts and audio. This includes textual content for performances, plays and perfo-lectures, where words are less used to convey narrative and work more on creating a processual situation, working with documents and often aiming to engage the audience.

These are also self-contained recorded audio promenade performances created to be listened to on headphones or broadcast to large spaces (factories, museums, parks, etc.).

The text there usually plays a key role and aims to create an experience for the listener at the intersection of the current location, a common theme and a dialogue with oneself.

REAL-TIME AUDIO-TEXTUAL PIECES.

A separate field for research is the creation of a real-time audio-textual pieces. When there is a fundamental absence of a prepared theme, musical material, texts, preliminary rehearsals and other arrangements, and all the resulting works are fragments of improvisation. With this approach, the projects 'Lego of Ego', 'Anxious Experience' and 'Lovers of Great Composers' were conducted in co-authorship with various performers and musicians.

TEXTS IN THEIR OWN RIGHT.

Also the creation of texts in their own right: from a cycle popularising contemporary dance 'dialogues without dance' to manifestos of various projects and essays.